An ageing Mexican woman recalls ever-darker memories from her childhood over images that slowly detach from reality. Festival alumna and Australian Directors’ Guild Award winner Chloe de Brito (Pink Reef, MIFF 2022) returns with a haunting, impressionistic work that reflects on familial history, dark secrets and the shapeshifting nature of memory.

A love story turned assassination against the backdrop of the 1968 student massacre whose unresolved status is finally resolved in tense life threatening conditions. The story of a stubborn journalist who undertakes the clarification and bringing to justice of the heinous murder of one student forty years later represents a dedicated effort to force a country from denial to reconciliation and closure of tragic social and political events in a country´s history. A nation cannot allow official cover-ups that seek to delete and erase from the collective memory events that prevent a nation´s march towards social justice.

Looking for news of his ex-guerrilla sons, a man agrees to collaborate with his restaurant in a network of drug dealers.

Freddy, a man with Diogenes’ disease, lives in his mother’s house, Rosa, who, in turn, suffers from acute senile dementia. In this place, Freddy has created a chaotic and hermetic world, which will be shaken after his daughter, Camila, visits him after five years without seeing each other.

Two women named Rosa; Rosa María and Rosa Emilia dispute the love of Ricardo Díaz.

Pierre, a young foreigner, arrives on an island after having killed the woman he loved. During his travel, he meets Janko, a dwarf who succeeded to land without being found by the gang coming to wait for him, to take a mysterious merchandise he was transporting.

Five couples at a critical moment in their relationship search for the answer to the big question: Are they made for each other? The participants will live apart but they will not be alone. They will live with ten single men and ten single women who want to find love. When this experience is over, they will have to decide how they want to return home: with their partner, alone or with their new love.

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Three young women are ready to marry, but their father inserts himself into the decision-making process.

Internet as a victim facilitator for sexual slavery underage hitmen, infant labor workers under inhuman conditions, dysfunctional shelters, collateral victims and distraught families are some of the topics engaged by The Wild Dance